Saturday, September 27, 2014

NOW SHOWING AT A BLOG NEAR YOU

Now Showing Marquee 5

I watched a double feature for Aleteia this week. “Believe Me” and “The Song” are the two latest faith-based films to hit the big screen and, surprisingly, they aren’t terrible. Oh, I’m sure the usual suspects amongst the Christian film critics out there will tear them apart because they aren’t art, but each movie is pleasant enough as light entertainment. “Believe Me” has some actual laughs, especially if you’ve spent time in the world of modern Protestant worship, while “The Song” is overly formulaic, but perfectly fine for a Christian date night.

Oddly enough, atheist Neil Carter from the Godless In Dixie blog kind of liked “Believe Me,” or as he calls it, a Christian that doesn’t suck. Of course, he mostly enjoyed it for all the Evangelical self parody going on in the film, but still, he liked it. His comments make me wonder, though, where are all the self-deprecating atheist movies out there?

Speaking of atheists, over at The Catholic Thing, Brad Miner ponders the Godless space of modern sci-fi movies.

I suppose sometimes it’s just easier to find God in the classics. At least that what it seems like over at Speculative Faith where Brandi Midkiff discusses Forbidden Planet and the evil which lurks in the hearts of men. While you’re over there, you may as well check in on E. Stephen Burnett as he muses on ‘S.H.I.E.L.D.’ and the Subversion of Human Nature.

While we’re on the subject of classics, Matt Page from Bible Films Blog is taking a brief look at one of the queen mothers of all cult movies, Alejandro Jodorowsky's “The Holy Mountain.” We really need to tackle that movie around here at some point.

And finally, at Religion Dispatches, Robert M. Geraci takes note of the 40th anniversary of the game Dungeons & Dragons, its lasting affect on all entertainment that followed its introduction, and the religious plurality found in the pages of the Monster Manual.

Happy reading, everyone, see you next time.

Saturday, September 20, 2014

CUTAWAYS: THE ADDAMS FAMILY READS THE BROTHERS GRIMM

This week for Aleteia I reviewed “Boyhood,” the new film from Richard Linklater which has received something akin to worship from most of the major film critics out there. Chances are, you also might find it to be a deeply moving cinematic experience… or a complete waste of three hours of your life. It really depends on if you manage to make a personal connection to the film’s message.

I say the film’s message, because you probably won’t connect at all with the film’s characters. They range from uninteresting to downright irritating. Mainly it’s the parents. The mother’s only concern seems to be in keeping a man (any man), so when her son admits to staying out drinking and doing drugs all night, she just shrugs. The father’s only worries are finding himself and creating dialog. Well, that and making sure nobody ever votes for George Bush. They do live in Austin, TX after all.

You know, someone needs to teach the parents in “Boyhood” how to really be involved in the lives of their children, maybe someone like the Addams Family…

For me, one of the appeals of the Addams Family has always been that, once you remove the veneer of comedy/horror, you’ve basically got a family that truly loves another. And Gomez and Morticia, they’re real parents. They nurture and guide their children, they protect and punish them, and, as this clip proves, they’re absolutely vigilant about what information goes into their kids’ heads. In the fictional universe of the Addams, I’m sure there’s no copy of the Catechism lying around, but if there were, they’d probably have this passage highlighted:

“The fecundity of conjugal love cannot be reduced solely to the procreation of children, but must extend to their moral education and their spiritual formation. ‘The role of parents in education is of such importance that it is almost impossible to provide an adequate substitute.’ The right and the duty of parents to educate their children are primordial and inalienable. Parents must regard their children as children of God and respect them as human persons. Showing themselves obedient to the will of the Father in heaven, they educate their children to fulfill God's law.”

I actually liked “Boyhood.” I thought it communicated a deep truth about how our identities are formed, not by the big events in life, but in the small day to day situations we find ourselves in. But, yeah, the parents bugged me. Give me the Addams Family over them any day of the week.

Tuesday, September 16, 2014

I MARRIED A WHAT?

Twenty-five years ago today, my wife and I stood in a small church we had never set foot in before and held hands while a good friend strummed his guitar and sang John Lennon’s “God Bless Our Love.” He certainly has.

Today is our 25th wedding anniversary. Not too bad, I suppose, considering the average duration of a marriage in the United States these days is 8 years. It’s even more amazing when you take into account that my poor wife probably wakes up each and every morning with something akin to this running through her head…

And yet, despite the thing she married, my wife’s love hasn’t wavered once. You know, maybe our dissimilarities have actually helped us stay together all these years. It’s like Pope Francis said this last Sunday when he presided over the wedding of 20 couples in St. Peter’s Basilica. “This is what marriage is all about,” the Holy Father commented, “man and woman walking together, wherein the husband helps his wife to become ever more a woman, and wherein the woman has the task of helping her husband to become ever more a man. Here we see the reciprocity of differences.”

Well, “Vive la diffĂ©rence!” we like say around these parts (after which we smack ourselves upside the head for speaking French). And may God grant long life and health to the woman who, 25 years ago, married a monster and made a man out of him. Words can’t express the love.

Friday, September 12, 2014

NOW SHOWING AT A BLOG NEAR YOU.

Now Showing Sign

Rather than trudge through the barren wasteland that is the period between the Summer blockbuster months and awards season, I’ve decided to spend some time at Aleteia catching up with some of the interesting movies which have come out this year. First up is Code Black, a new documentary focusing on residents in the LA County emergency room and the completely broken healthcare system they have to deal with. It’s not the most exciting film you’ll see this year, but it’s an important one.

In other medical movie news, Matt Archbold at Creative Minority Report passes on the announcement that acclaimed writer Andrew Klavan has signed on to script the movie based on the atrocities committed by abortionist Kermit Gosnell. Again, probably not a feel good story, but one deserving of attention.

More in line with our usual fare, Jason Deitz at Non-Modern reviews the latest Doctor Who episode, Robot of Sherwood. I like his take on the Christian themes of the episode, but I have to admit my opinion’s still out on the season as a whole until they resolve some plot threads.

Speaking of doubts, over at Speculative Faith, R. L. Copple expresses his own over the “positive” portrayals of religion in Star Trek and Firefly.

And finally, reader Aniya Granato shares with us an inforgraphic she helped create looking at some of the highest grossing Christian films in history compared to some similarly successful secular films…

Christian Movies
Source: OnlineChristianColleges.com

You can see the full size image at OnlineChristianColleges.com along with some more information.

See you next time.

Thursday, September 11, 2014

THERE WERE GIANTS IN THE EARTH IN THOSE DAYS

kiel

It is we heavy heart that we must mark the passing of one of this world’s gentle giants, Richard Kiel. He’s probably best known for his role as the lovable assassin Jaws from the James Bond series, but around these parts we associate him more with such epics as Hysterical, Creation of the Humanoids and, of course, Eegah. Where would this blog be today without Eegah? On top of his prolific movie career, we’ve also enjoyed seeing Mr. Kiel make guest appearances in just about every TV show worth watching from the 60s and 70s. C’mon, look at that picture up there. That’s TV gold.

We linked to it a long time back, but The B-Movie Cast’s interview with Richard Kiel is still worth checking out. In it, Kiel discusses his long acting career and his attempt to bring the story of Cassius Clay (the southern abolitionist, not the boxer) to life, a project he was still working on when he died. Kiel was also an ardent evangelical. There's an interesting testimonial on his home page where he discusses his struggle with alcohol and how he conquered it through prayer. All in all, he was a pretty good guy.

Richard Kiel, the world will be a little less full without his presence, but at least there’s comfort in the thought that there’s probably a size extra-large halo waiting for him at the pearly gates. Eternal rest grant unto Richard Kiel, O Lord, and let perpetual light shine upon him.  May he rest in peace.

Monday, September 08, 2014

INTRODUCING: THE JUKEBOX HERO HYMNAL

Rock n Roll Nightmare

Well, since the stagnation of the nation’s economy and the ineptness of our intervening government have conspired together to lay waste to the primary way in which I earn money to feed my family, I have of late been picking up a few spare bucks writing content for other websites. If you want to see how dry that can get, be sure to check out my awe-inspiring piece on the meanings of buildings on coats of arms. Better drink some coffee before you go there if you want to stay awake, though.

Better yet, why not check out my other blog. Yes, you heard me right. In a fit of madness, I’ve decided to start up a new venture in which I look for signs of God in “the Devil’s music.” Ladies and gentleman, welcome if you will…

THE JUKEBOX HERO HYMNAL

Yep, I’m going to try and build a breviary with a backbeat. I had thought about just doing it here, but I didn’t want to lose the focus of this blog any more than I have. Plus, I know there are plenty of folks out there who want nothing to do with bad movies, but might appreciate discussing music and spirituality, so I figured I’d just give the topic its own space. The Jukebox Hero Hymnal won’t be as Catechism heavy as The B-Movie Catechism, but it will still follow the same routine: pick something that wasn’t necessarily intended to be Christian and find something Christian in it anyway.

Now don’t worry, I’m only going to post there once, sometimes twice a week. This blog will still get most of my attention. But as long as I’ve got the time now, I figure why not do both. I hope to see you over there as well as here.

Saturday, September 06, 2014

NOW SHOWING AT A BLOG NEAR YOU

Now Showing Marquee 3

The last couple of weeks have found me reviewing a pair of completely average movies for Aleteia, each with a little something to recommend. The November Man is a pretty standard spy flick, but Pierce Brosnan’s performance is excellent. The Identical would be better served as a TV movie, but its central premise is still interesting. Maybe we could mash them up and make something like The Identical November Man in which a former James Bond impersonator comes out of retirement for one last show in front of an audience who wants him dead. Right. Anyone who wants to run with that idea is welcome to Kickstart it.

Anyway, while you’re over at Aleteia, be sure to check out Philip Koloski’s article on actress Alexa Vega and what it’s like being Christian in Hollywood.

Sounds tough. But just because it’s hard to find Christian messages in Tinsel Town, doesn’t mean you can’t. AnnaRose Meeds of Catholic Stand has managed to ferret out pro-life messages in ten popular movies.

Why bother looking for Christian messages in movies? Well, because what we watch affects our perception of reality. At least that’s one of the factors Father V. at Adam’s Ale believes is yet another reason art matters.

The arts influence us. Maybe that’s why Taylor Marshall, PhD wonders whether or not Star Wars is Christian or Anti-Christian? Agree or disagree, you might find his approach to the question is one we heard a lot before.

And as long as we’re on the subject of movies and how they’re perceived, pop on over to Catholic Skywalker’s place where he asks the question, “What is the manliest movie of the 1970's?” His answer is…

That should be plenty to keep you busy. I’ll see you next time.

Monday, September 01, 2014

BMC MOVIE OF THE WEEK: SPELLBINDER

Spellbinder

“Tim Daly stars in director Janet Greek's fair horror-thriller as Los Angeles attorney Jeff Mills, who rescues beautiful Miranda Reed (Kelly Preston) from being raped. As he and Miranda become lovers, Jeff learns that his new girlfriend is a witch trying to escape from an evil cult led by Aldys (Anthony Crivello), who wants to use her as a human sacrifice. Borrowing ideas from thrillers like Fatal Attraction (1987) and Tutti i Colori del Buio (1972), this borderline occult chiller co-stars genre veterans Rick Rossovich, Cary-Hiroyuki Tagawa, Stefan Gierasch, and Audra Lindley.” ~ allmovie.com

August 31, 2014: Twenty-second Sunday in Ordinary Time (Year A)

After Jeff saves Miranda from an assault, he brings her straight back to his apartment, because that’s what you do with assault victims. They look at his art collection for a few minutes, he offers her some orange juice and beer, and she offers to heal all of his pain. When she disrobes, Jeff is pretty confident that she means healing in that Marvin Gaye sort of way. To his bewilderment, however, it turns out she just wants to sit on his back and chant an incantation to draw the pain out of his body. Now, maybe it’s because they do eventually get around to Marvin Gaye’s version of healing, but Jeff doesn’t really get too weirded out by any of this. In fact, he basically lets Miranda move right in.

Look, I’m no expert, but if the complete stranger you picked up in a parking lot and brought home to your apartment can read your palm for real, she’s either a really lucky guesser… or a witch. If she can interpret the feelings of your pet black cat, it’s possible she’s a professional pet whisperer… or a witch. And if she can take a steaming hot turkey out of an oven with her bare hands, she might be a mutant with no central nervous system… or a witch. Who am I to say? But if she can do all of those things… she’s probably a witch.

spell01

Jeff doesn’t catch on this too fast, though. In fact, it isn’t until the rest of Miranda’s coven shows up and starts levitating cars that Jeff catches on. But even that doesn’t change his feelings about Miranda. I mean, women who can take a steaming hot turkey out of an oven with their bare hands don’t just grow on trees, you know. You hold onto a woman like that, even when she tells you her old coven plans on using her as a sacrifice and will kill you if you try to stop them.

(Spoiler Time!) Okay, so the main character isn’t that bright. That isn’t the biggest problem with Spellbinder, though. What the movie does really poorly is keep its twist ending a surprise. Miranda makes it clear right up front that the coven’s victim must come to the sacrifice willingly, and yet for some reason the coven insists on chasing her down and dragging her there by force. How is she a willing sacrifice if they have to drag her there?

spell03

She’s not, of course. But the guy who comes there looking for her, he’s pretty willing. Jeff ends up being the sacrifice while Miranda, who was in on the setup all along, joins hands with her witchy friends for a sing-along around the campfire. Yep, it’s pretty much a rip-off of the original Wicker Man, except, you know, without all those annoying good parts. In the end, it’s just another one of those movies in which the hero thinks he’s been doing something good, but it ends up he’s been following the villain’s plan all along.

Obviously, if Jeff had chosen to follow his Sunday school lessons instead of trying to live out the lyrics of a Marvin Gaye song, he could have avoided all of this. After all, God doesn’t play tricks like that on people.

Or does he? (Dom dom dommmm!)

In this week’s first reading, it sure sounds like the prophet Jeremiah believes God has a bit of the trickster in Him. “You duped me, O LORD, and I let myself be duped” he cries out, “you were too strong for me, and you triumphed. All the day I am an object of laughter; everyone mocks me.  Whenever I speak, I must cry out, violence and outrage is my message; the word of the Lord has brought me derision and reproach all the day. I say to myself, I will not mention him, I will speak in his name no more. But then it becomes like fire burning in my heart, imprisoned in my bones; I grow weary holding it in, I cannot endure it.”

spell05

Now, Jimmy Akin has written a piece explaining the linguistics of this passage, and how the use of the word “duped” might be better translated as “persuaded,” and maybe that’s true. But I like the word “duped.” It gets across the feeling we all have sometimes that God’s plan isn’t what we thought it was going to be. We thought He wanted us to do one thing and turns out He had another goal in sight. Or we did what we know He wanted us to, but the outcome wasn’t what we expected. God might not actually dupe us, but it sure feels that way on occasion.

What do we do when we fee that way? Well, according to Saint Pope John Paul II, we should just do what Jeremiah ultimately did (after complaining a bit). Go with it and trust that things will work out how they’re supposed to. “Let yourselves be seduced by the Eternal One,” the Pontiff explained on the XXIX World Day of Prayer for Vocations, “repeating the words of the ancient prophet: ‘You duped me, O Lord… you were too strong for me and you triumphed.’ Let yourselves be charmed by Christ, the Infinite who appeared among you in visible and imitable form. Let yourselves be attracted by his example, which has changed the history of the world and directed it toward an exhilarating goal. Let yourselves be loved by the love of the Holy Spirit, who wishes to turn you away from worldly things to begin in you the life of the new self, created in God's way in righteousness and true holiness.  Fall in love with Jesus Christ, to live his very life, so that our world may have life in the light of the Gospel.”