Willy Wonka & the Chocolate Factory (1971) When the world's greatest and most secretive confectioner announces a contest in which five children will be allowed to tour his fortress of a factory and secure a lifetime supply of chocolate, the entire world succumbs to Wonka-mania trying to locate one of the elusive golden tickets. The eventual winners include the gum-chomping Violet Beauregarde, the television-obsessed Mike Teevee, the ever-omnivorous Augustus Gloop, the proto-girl boss Veruca Salt, and the impoverished paper boy Charlie Bucket. As the children and their chaperones proceed through the wonderland of Wonka's factory, their individual vices lead to avoidable disasters, which are subsequently eulogized by singing orange-skinned little people known as Oompa-Loompas. Will any children be left to claim the ultimate prize? With an outstanding eccentric performance from Gene Wilder as Wonka, some immediately hummable tunes, and an underlying somewhat-mean spirit to the proceedings, Willy Wonka & the Chocolate Factory is a classic kid's morality tale in which the unvirtuous are punished and the meek inherit everything they ever wanted.
When Jesus said, “Blessed are the meek, for they shall inherit the earth," He wasn't referring to weak, spineless passivity. In the original Greek, the word translated in the verse as "meek" is the word "praus", which roughly means strength under control. Given that, biblical meekness is not being a doormat, it is doing good in response to evil. Meekness in the spiritual sense means showing humility and gentleness toward others, enduring trials patiently without resentment or revenge, accepting God's will without and over-abundance of muttering. In this way, meekness is a direct challenge to the worldly preference for immediate retaliation, over-assertive behavior, and crass self-promotion. Sounds nice, but meekness isn't easy. As Pope Francis noted, "Anyone can appear meek when everything is peaceful, but how does one react under pressure, if one is under attack, offended, threatened?" Meekness isn't just an idea, it's an active choice.
The Land Unknown (1957) Stop me if you've heard this one before. An expedition heads to Antarctica to investigate some unusually warm waters. Now, any kid who has ever gone swimming in a public pool can tell that water which suddenly gets warm is a thing to be avoided, but these guys—and obligatory gal—head towards it anyway. A mistake, as a pterosaur instantly knocks their helicopter into a vast volcanic crater where dinosaurs and man-eating plants run rampant. Yep, it's The Lost World, but with enough story elements changed so Sir Arthur Conan Doyle doesn't get a dime. Of course, since pre-production budget cuts really put a hurt on the film's special effects, Doyle probably would have avoided drawing attention to The Land Unknown as he wouldn't want his name associated with it in any way. However, for fans of this particular kind of '50s schlock, the hand puppets, magnified monitor lizards, and poverty row T-Rex costume are probably a net positive.
Methodist founder John Wesley was fond of variations of the term "the land unknown", using it in hymns and poems to metaphorically refer to heaven. In his eulogy, On the Death of Mr. John Matthews, Dec. 28, 1764, Wesley wrote, "Blessing, and thanks, and power, and praise, Jesus is worthy to receive, who keeps his saints throughout their days, and doth the final victory give! He hath his faithful mercies shown, to him, whose loss we now deplore, safe entered on that land unknown, to weep, and fret, and die no more." Interestingly, though he was born into Protestantism, Wesley was accused of being a secret agent of the Jesuits. The evidence against Wesley was his belief in apostolic succession, the necessity of good works and fasting, his rejection of predestination, his affirmation of the intercession of Saints, and apparently, a belief in the Real Presence in the Eucharist. If he could have just gotten over his Anglican-infused hatred of "popery", he might of made a fine Catholic.
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