The Thing from Another World (1951) Scientists and soldiers stationed at the North Pole investigate reports of a crashed aircraft only to discover a flying saucer and its frozen occupant. Everyone is excited at the find of the century, but only until the visitor thaws out and proves to be literally bloodthirsty. To make matters worse, severe weather has cut the outpost off from any chance of reinforcements. It's up to a few overwhelmingly outmatched humans to find a way to stop an alien invasion that could end all life on the planet. Those coming to this film straight from John Carpenter's remake or John W. Campbell Jr.'s original novella may experience some disappointment in the changes made to the story. Taken on its own merits, though, The Thing from Another World is inarguably one of the best sci-fi films of the 50s, chock-full of producer (and sometimes shadow director) Howard Hawks' patented lightning-paced dialog and straight-to-the-point action.
John Carpenter continuously idolizes Howard Hawks in interviews, praising his concise storytelling, genre versatility, and modern American sensibilities. One thing Carpenter cribs from Hawks again and again is the tight-knit group-under siege scenario which allows for intense group dynamics and highlighting each character's individual competence. You know, thinking about being under siege, you'd think with Christians making up approximately 31–32.5% of the world's population, they wouldn't feel like they were under attack all the time. However, you'd be mistaken. Groups like Open Doors World Watch and Pew Research Center consistently name Christianity as the most persecuted religious group in the world. They estimate that roughly 1 in 7 Christians worldwide face high or extreme levels of persecution and discrimination for their faith. Anecdotally, the other 6 in 7 just face constant ridicule and lies. So, regardless of their numbers, Christians feel under siege because they are.
Colossus: The Forbin Project (1970) The brilliant Dr. Forbin has developed the supreme defense system, a computer system buried within the Rocky Mountains that independently controls all allied nuclear weapons. It's meant to function as the ultimate deterrent as it will function and retaliate even if an enemy destroys every human in charge. Once Colossus is turned on, though, it immediately detects a similar system named Guardian tucked away in Russia and the two A.I.s decide to start talking to one another. Before long, they conclude it would be best to merge and take control of the world. When the Americans and the Soviets try to sever their link, the computers launch a couple of nukes to show who's in charge. As Colossus/Guardian broadcasts a message promising planetary peace in exchange for total obedience, the scientific community struggles to find any way to preserve mankind's freedom. Arguably more prescient today than when it was released, if Colossus: The Forbin Project isn't at the top of the list of early 70s sci-fi flicks that relied on intelligence over action to keep audiences enthralled, it's pretty darn close.
In 1983, the U.S. Catholic Bishops issued a pastoral letter called The Challenge of Peace in which they reluctantly accepted the idea of nuclear deterrence s a regrettable necessity in the face of Soviet threats, but with strict conditions. No matter whether its nuclear weapons or something like Colossus, the deterrent must serve only to discourage nuclear attack by others, it must aim for sufficiency rather than superiority, and it must be a temporary measure leading to progressive disarmament. By the time Pope Francis came along, though, thinking on the subject had evolved. Following Francis' lead, many in the Church these days teach that not only is the use of nuclear weapons wrong, but even the mere possession of them is immoral, and that reliance on them as nuclear deterrence is no longer morally justifiable as a long-term strategy. This teaching is not binding as infallible dogma yet, but it is to be considered authoritative under the ordinary magisterium.
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