Thursday, December 10, 2009



Way, way back when we first discussed the slasher movie craze of the early 80s, we covered a lot of the tropes and clich├ęs and possible subtexts to be found in the literally hundreds of such movies produced during that period. What we didn’t mention was the music. Now, we’re not talking about the immediately recognizable scores such as John Carpenter’s Halloween or Harry Manfredini’s Friday The 13th. No, we mean the fantastically weird theme songs which sometimes ran over the end credits. A few, like The Fat Boys’ Are You Ready For Freddy actually ended up being released as singles, but for genre nuts, the real gems are the obscure ones which you only heard if you hung around in the theater while most everyone else was making a beeline for the parking lot. What follows are excerpts from some of the most memorable…


This little diddy might sound like an odd choice to close out a horror movie, but from beginning to end April Fool’s Day is chock full of practical jokes (dark, dark jokes, but jokes just the same), so this tune fits right in with the tongue-in-cheek goings on.

MADMAN (1982)

As the unlucky counselors in this cult classic find out, Madman Marz is much more than just a tale told to scare the kiddies. However, that is how they’re first introduced to him, as nothing more than a legend to be recounted while sitting around the campfire. Listening to this, you can almost hear the s’mores sizzling.


Forget the noisy, crude remake, the original MBV is much loved by fans for its authentic settings and realistic, likable cast (none of whom burst into a dwarf’s room butt naked). This folksy number perfectly captures the feel of the rundown blue collar mining town which provides the backdrop for Harry Warden’s dirty deeds.


Melissa Sue Anderson spends much of this movie confused and tortured, and then it gets worse for her towards the end. The movie finishes on a particularly downbeat note for her character, which, I’m sure you’ll agree, is more than adequately reflected in this song.


This movie is legendarily bad. Nuff said.

I have to admit, as cheesy as some of these songs are, I really miss them whenever I give in and watch a modern slasher. A lot of the generic indie rock and heavy metal pieces you get at the end of today’s movies (and some of the old, let’s be fair) are tolerable enough I suppose, but you can tell they were just slapped on because that’s the song style popular with the intended demographic. What makes these old songs, even the corny ones, so much better is that they actually feel like a part of the movie, intimately connected with the story you’ve been watching. Even for dumb slasher flicks, It makes for an all around more immersive movie going experience.

In a way it’s like the stuff we’re supposed to hear at mass. As the Catechism points out, “Song and music fulfill their function as signs in a manner all the more significant when they are "more closely connected… with the liturgical action," according to three principal criteria: beauty expressive of prayer, the unanimous participation of the assembly at the designated moments, and the solemn character of the celebration. In this way they participate in the purpose of the liturgical words and actions: the glory of God and the sanctification of the faithful.” Needless to say, there are arguments to be made that much of contemporary liturgical music doesn’t meet these standards.

With all the other problems ongoing in The Church right now, the state of liturgical music might not seem high on the list. But In his autobiography, Milestones: Memoirs 1927-1977, the future Pope Benedict XVI wrote “I am convinced that the crisis in the Church that we are experiencing today is to a large extent due to the disintegration of the liturgy, which at times has even come to be conceived of etsi Deus non daretur: in that it is a matter of indifference whether or not God exists and whether or not He speaks to us and hears us. But when the community of faith, the world-wide unity of the Church and her history, and the mystery of the living Christ are no longer visible in the liturgy, where else, then, is the Church to become visible in her spiritual essence?”

The Pope wasn’t speaking solely of music, of course, but it was part of his discussion. Music matters. As we noted in the examples above, the proper song in a movie can make for a more memorable experience. The proper song in a mass can bring a person to God.


pooter said...

Great post and nice selection of slasher songs. I've always been a fan of the 'Happy Birthday to Me' song. It has an insane melancholy which as you say, fits perfectly with the film.

Anonymous said...

And bad music can bring a person to a new parish....My musician father has certainly changed parishes over intolerable music--when there were better ones available. Some of us who care deeply about music have had WAY too many chances to work off some purgatory time, mostly by resisting the urge to go on a cheap horror movie rampage, killing the guilty with their own tambourines and bongos in interesting ways. It has lots of B-movie potential, don't you think?

Xena Catolica

Anonymous said...

I never heard Gregorian Chant until I heard it in a cathedral. I kind of miss those walking out of the theater while the credits are rolling 80's rock tunes meself.

Convenor said...

We'd be really grateful if you could bring to your readers attention the December Issue of our twice-yearly journal 'CHRISTVS REGNAT':

You would be most welcome to link to/follow/include on your blogroll our blog:

Please pray for me!

God bless you!

St. Conleth's Catholic Heritage Association (Ireland)

EegahInc said...

My apologies everyone. I don't know how long it's been going on, but for some reason Blogger has quit notifying me whenever comments are left. I'll have to get that fixed.

pooter, I thought of you while I was posting the Madman clip. (Which doesn't sound right, but you know what I mean.) Happy Birthday to Me is my fave also.

Xena, I might just have to steal that idea for a cartoon or something! Bongos. Sheesh. Someone at my parish just suggested those for the heavily teen-attended afternoon mass, but fortunately the idea seems to have died in the ensuing silence. I'm sure back when David danced before the Lord there were bongos and tambourines, but these days they just don't work for me.

Gunter, I've only heard chant in a nearby small parish which performs the Tridentine mass weekly, but even on that scale it was pretty chill inducing. I'm still waiting for some musical prodigy out there to find a way to bring that kind of feel into congregational singing.

Hi, Convenor, thanks for stopping by. I'll be sure to check out your journal.